Harris Jayaraj’s songs and background score adds a lot of weight to the film, as do the editing by Anthony and stunts by ‘Stunt’ Silva. In the technical side of it, the big differentiator has to be the cinematography by Dan McArthur.
Gautham manages to have pulled off Yennai Arindhaal but only just. There are places where the narrative sags and even confuses. But where he redeems himself are the sequences that lay emphasis on human emotions.
Verdict: Performances lift an otherwise predicatable fare from Gautam Vasudev Menon.